Simply the mention of sound of water flowing over
rocks evokes that sound, I believe, in just about everyone. A title that brings
what is to me a wonderful sound to mind. And probably an image of water flowing
over rocks as well. The sound is not so much a sound but many sounds, many
tones. I hear high, low, hollow, full, loud, soft, hard, gentle. While hiking
on a ridge just south of New Camaldoli Hermitage in Big Sur, I was lured down
into a thick, steep redwood forest by what I thought were human voices, but
which was in fact the sound of the stream below, its water flowing over rocks. Not
wanting to climb back up the very steep hill, I followed the stream, believing
it would lead me to the ocean, but it turned back on itself, meandering behind
a low ridge above the sea. Feeling lost, especially now that it was getting
dark, and tired after hours of walking by the stream, I saw what seemed a deer
trail headed up a less steep hill, climbed it, and found myself overlooking the
Pacific. The forest had been so thick and canopied by redwoods, and a haze so
fogged the sky that I hadn’t even been able to see the sun.
These days I hike back into another redwood forest,
the Forest of Nisene Marks in Aptos, California, almost every day. I sit on
“Michelle’s Bench” next to a small arched, rusted steel bridge over the stream.
Under the bridge, out of sight of those who do not know it is there, is a stone
statue of a sitting Buddha, perhaps two feet high. It is festooned with flowers
and various offerings of trinkets, coins, bills, photos, rocks, and the like
lay at its feet, and beads hang rounds its neck. One photo is of a
twelve-year-old girl who died of food poisoning while vacationing with her
family in Costa Rica. She was a friend of one of the girls in the family who
lives next door to me. From the bench, I see the stream flowing over rocks
rather cacophonously but also a bit melodically, like a thousand chimes of many
sizes being struck perpetually. I love it there. The sound washes over me and
through me. It becomes me and I become it. I feel it as through it were my own
resonating rhythm. I bring it with me with me in my mind, in my cells, and I
hear it whenever I want to and sometimes when I’m not even thinking of it.
The reason I am writing this is because I want to
leave a record, a chronicle, a story of this, my life, which is a culminating
of many other lives I have lived. It may be that I have done much the same in
those lives, however I don’t remember. I do this somewhat in service to those
who might benefit from what I have to say, but also because I want to actually
hear what I have to say, what I have learned about being a human being in this
lifetime. I don’t think it will be particularly instructional, though I do have
my own way of seeing things, of course. Mostly, I think it will be a kind of
narrative consisting of many stories of all kinds, emanating from my experience
and understanding of my own life and of existence in general. Sometimes “my own
life” may fade into a sense of being much greater than a single existence;
sometimes it may even seen to overlap with the lives of others, with all life.
I have read that life is actually life and death; like water flowing over
rocks. It has no real beginning or end. We believe very much that we are born
and that we die, and that there is a quite separate “me” and “you.” But I have
found that, though this is true as far as it goes, it only goes so far. Life
includes both this process of being born into a body, leaving that body,
existing in other “states,” and, for just about all of us, being born into a
new body, over and over again. When I say that I have “found” this, I mean that
I have experienced it. Obviously, I have also interpreted my experience. I
don’t pretend to insist that you must agree with what I say, much less believe
it, however, whatever I convey to you has been my experience, is my
understanding and interpretation of it, though further experience and my
understanding and interpretation of that could be quite different. I attempt to
speak as though I am observing myself as someone other than myself whom I
believe I know well. There are some things I will probably avoid, though I will
also probably try to find ways to present them that are more subtle and implicit.
My intent is not to embarrass myself or make myself too vulnerable. I have done
that in my life, and now realize that some secrets are to be kept. However, as
one is able to disidentify with oneself, with who one has believed oneself to
be, usually as one gets older, one is able to reveal more, and thus be better
able to be of benefit to others as well as oneself.
The sound of water flowing over rocks can be hypnotic,
mesmerizing; it sings all but is not song. We may poetically or philosophically
or metaphorically say that it “finds its way to the ocean,” but this is not
necessarily true at all; it may dry up in a drought or flow back into the
earth. Gravity makes its movement possible. And water, if it keeps flowing,
knows no obstacle, but will fill up all low places and again overflow upon its
course. Water does not “know” its destination; it just follows topography and
gravity down and down. It may flow into greater streams and then into the ocean
or it may evaporate and return to the sky to be moved elsewhere and then be
released again far away. Are we as the water flowing over rocks? Are the laws
of our movement—gravity and geography, the lay of the land—much like the laws
of flowing water? Is our destination similarly as determined as well as
undetermined? We think we know where we are going, but all we are really
certain of is our death. But, like flowing water, what we call death may also
be seen simply or not so simply as a change of form, not unlike water
evaporating and rising up into the clouds, only to be rained down into new
streams in different places. But the difference between us and the water is
that we worry about our lives and spend almost every minute of our existence
trying to determine and control just where we will flow to, whether in this
life, this form, or the next. We are surely not cognizant of the inherent cycle
in which “we” are involved and evolved. I find myself not knowing where to go,
where to flow, in the writing of this book, for it has no “determined destination”
as I tell myself. “How can I get there is I don’t know where I’m going?” I ask
myself. “Why do I even want to sit down and write words if they have no
expressed purpose? There is just no meaning in that at all. No inspiration.”
Yesterday, in scorchingly hot weather, I walked back into the deep redwood
forest of Nisene Marks, found my spot where I strip down and ease into the cold
water among the rocks. I float on my back looking up at the leaves a few feet
above me, the sun’s light illuminating them. This water flowing over the rocks
holds me up as I grasp rocks below the surface with my hands so that the
current does not move me further down the stream. In that moment, life does
become a dream; I become a dream of myself, of my eyes, of how I see, even of
what I see. The rocks, the stream have no regulations; their rules are simple:
the rocks are hard, the water is wet. If I slip, I could hurt myself. If I go
in the water, I surely will be wet. We are not worried about each other. Now,
if I happened to come across the large mountain lion that lingers in the tree
above the trail at dusk, I might be concerned, I might worry. But even with the
six-inch red-green crabs that scurry out from under the rocks to see what this
great white whale is doing lounging in their patio, I don’t worry, though I can
be wary.
I should learn from the water, from its confident
flowing. It will flow until there is no water to flow or until gravity or
geography changes what is low to what is high. If only the flowing water could
wash all the thoughts from this head of mine. I immersed my head in the cold
flowing water and heard the sound of water flowing over rocks from under the
water. After a while I became a bit hypothermic, for when I rose out of the water,
I got quite dizzy and almost fell. It dawned on me that crabs are cold blooded.
Water flowing over rocks must follow gravity down. It
is always falling down, always seeking the lowest place. Daoism views water as
humble in that respect, though it also fills up and flows over, knowing no
obstacles. “And the lowest shall be the highest.”
On the other hand, the water just flows; it is just
dumb water, as it were, doing what it does, following gravity down. There is no
inherent meaning in it whatsoever; it can be so easily poeticized,
metaphorized, interpreted, given umpteenth meanings. And as for its’ “sound,”
that’s all it is, just the sound of water flowing over rocks; nothing else than
that. The sound “says” nothing, but, for many, it is soothing to the ear and
relaxing to the mind. To go against my own mention of the absolute
meaninglessness of water flowing over rocks and use it metaphorically, I see
that our lives can be likened to “dumb water” flowing over rocks, just
following gravity down. We just flow along obliviously until this particular
stretch of stream ends, though only in our particular awareness and identity.
The sound of water flowing over rocks can be the curious, attractive sound of
life itself: the sound of samsara. It
draws us somehow; it is elusive, incoherent, inchoate; we find ourselves always
in its wake, its vacuum. We want it to be real. We want to believe in it, grasp
it, possess it, and, in so doing, make ourselves real as well. For we know that
our lives, as water flowing over rocks, are nothing that can be grasped or
possessed, much less believed in or made into reality.
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